1983-2003 | 2004-2008 | 2009-2015 | 2016-present | Ring Ring | Waterloo | Abba | Arrival | The Album | Voulez-Vous | Gracias Por La Musica | Super Trouper | The Visitors | Articles | Viggsö | ABBA at Christmas | Home
1983-2003 | 2004-2008 | 2009-2015 | 2016-present | Ring Ring | Waterloo | Abba | Arrival | The Album | Voulez-Vous | Gracias Por La Musica | Super Trouper | The Visitors | Articles | Viggsö | ABBA at Christmas | Home
Date of Release: 30 November 1981 Polar POS 342
Side A:
1. The Visitors (5:49)
2. Head Over Heels (3:45)
3. When All Is Said And Done (3:20)
('No Hay A Quien Culpar' was released on The Visitors in Spanish
language territories)
4. Soldiers (4:38)
Side B:
1. I Let The Music Speak (5:20)
2. One Of Us (3:55)
3. Two For The Price Of One (3:36)
4. Slipping Through My Fingers (3:51)
('Se Me Esta Escapando' was released on The Visitors in Spanish
language territories)
5. Like An Angel Passing Through My
Room (3:25)
Songs added to the 2001 remastered
album:
Under Attack
Should I Laugh Or Cry
Cassandra
The Day Before You Came
Recording sessions for The Visitors
from 16 March 1981 - 14 November 1981:
Slipping Through My Fingers;
Backing track between 16 - 19 March
1981.
Mixing on 10 April 1981.
Final mix on 13 November 1981.
A ballad, which perhaps offered the
most obvious glimpse of ABBA's private lives. With lyrics by Björn
and a lead vocal by Agnetha, the song dealt with their mixed feelings
at seeing their daughter Linda going away to school, turning around
and waving, and I thought 'now she has taken that step, she's going
away - what have I missed out on through all these years?( from the
book 'Bright Lights, Dark Shadows' by Carl Magnus Palm)
When All Is Said And Done:
Backing track between 16 -19 March
1981.
Violin overdub on 3 April 1981.
Mixing on 9 April 1981.
More mixing on 12 April 1981.
Tape copying from 24 track tape to 32
track tape on 29 October 1981.
Mixing on 2 November 1981.
Final mix for The Visitors on 13
November 1981.
The relentless drive of 'When All Is
Said And Done' made it one of the stand-out tracks on this album, and
was directly related to recent occurrences in the group. "I was
a bit cautious because of the lyrics, " Björn recalled. "Frida
and Benny" had just got divorced, and that's what the song dealt
with, more or less". Frida had no objections. On the contrary,
for her it was a cathartic experience to express all the regret and
sadness she felt. From the sound of her vocals, Frida was truly
vibrating with pent-up emotion as her performance was committed to
tape. The song was a fairy accurate description of what had happened:
much as Benny and Frida would have wished for a different turn of
events, their love had died and their relationship along with it.
Faced with such a situation there is nothing else to do but to dealt
with it and move on. ( from the book 'Bright Lights, Dark Shadows' by
Carl Magnus Palm)
Two For The Price Of One:
Backing track between 16 - 19 March
1981.
Percussion and horn overdubs on 8 April
1981.
Mixing on 11 April 1981.
Final mix for The Visitors on 13
November 1981.
Lyrics that told the bizarre story of a
man answering an ad in the personal columns, placed by a girl - and
her mother. ( from the book Bright Lights, Dark Shadows by Carl
Magnus Palm)
Like An Angel Passing Through My Room
(working titles: Another Morning Without You, An Angel Walked Through
My Room, An Angel's Passing Through My Room and Like An Angel Passing
Through My Room Version 1):
Backing track on 26 May 1981 (version
1).
Drum overdub for version 1 on 3 June
1981.
3 mixes of version 1 on 5 June 1981.
2nd backing track on 23 October 1981
(version 2) (working title: Twinkle, Twinkle).
Recording of version 3 on 8 November
1981 (working title: Like An Angel Passing Through My Room No.3).
Mixing on 10 November 1981.
More mixing on 11 November 1981.
Final mix for The Visitors on 13
November.
Head Over Heels (working title: Tango):
Backing track on 2 September 1981.
Overdubs on 8 September 1981.
More overdubs on 9 September 1981.
Mixing on 2 October 1981.
Final mix for The Visitors on 12
November 1981.
The song was like a refrigerated
version of the spirit of 'Bang-A-Boomerang' or 'Take A Chance On Me'.
Simply blaming unfamiliarity with digital recording techniques is too
easy, however: there was something inherenty wrong with the
conception and arrangements of the song. Björn and Benny's search
for musical perfection and complete control seemed to lead them up
the wrong path for much of this album. Also, the rather trite theme
of the lyrics - about a shopping-crazy and party-mad high-society
woman rushing through life to the consternation of her exasperated
husband - probably had a distancing effect on the listener. This
"droll" description of life for the privileged classes - an
extention of a theme introduced in the previous album's 'On And On
And On' - jarred with ABBA's penchant for tapping into the joys,
hopes and fears of "everyday people". "I do write
about things I have experienced myself," Björn admitted. "It's
inevitable that we retreat from an 'ordinary life." ( from the
book 'Bright Lights, Dark Shadows' by Carl Magnus Palm)
I Let The Music Speak:
Backing track on 3 September 1981.
Overdubs on 8 September 1981.
More overdubs on 9 September 1981.
Mixing on 1 October 1981.
Final mix for The Visitors on 2
November 1981.
A theatrical mood and shifting
sections. It was a song that pointed towards an ambition that Björn
and Benny had harboured for several years: to write a musical. (
liner notes by Carl Magnus Palm for the 2001 issue of 'The Visitors)
Soldiers (working titles: 15:e
Oktober-laten and Peasants):
Backing track on 15 October 1981.
Mixing on 7 November 1981.
Final mix for The Visitors on 14
November 1981.
One Of Us (working titles: Nummer 1 and
Mi Amore):
Backing track on 21 October 1981.
Mixing on 3 November 1981.
More mixing on 12 November 1981.
Final mix for The Visitors on 13
November 1981.
This Agnetha-led track detailed the
effects of splitting up from a partner. In the eyes and ears of the
record-buying public it was hard not to conclude that the group
members were singing about themselves. It turned out to be ABBA's
last major worldwide hit.( liner notes by Carl Magnus Palm for the
2001 issue of 'The Visitors')
The Visitors (working title: Den
Första):
Backing track on 22 October 1981.
Final mix for the LP on 4 November
1981.
The more literal cold war
connotations were to be found the heavy walz 'Soldiers', as well as
the title track. 'The Visitors' featured a raga-flavoured melody in
the verses against a backdrop of synth-rock, with lyrics dealing with
the dangerous situation for dissidents in the Sovjet Union of that
time. "I was trying to imagine what it must feel like to sit and
wait for that ominous knock on the door," recalled Björn,
"never knowing when it would come, and never being able to be
sure of anything.." Quite possibly the lyrics were also a
reaction to the slightly uniform way of life in Sweden at this time,
as perceived by people of Björn liberal right-wing persuasion. "I
had a constant feeling that others, the invisible powers that be,
made the decisions over my head," he remembered. ( from the book
'Bright Lights, Dark Shadows' by Carl Magnus Palm)
Bonus tracks added to CD releases:
Under Attack:
Under Attack:
Backing track on 2, 3 and 4 August 1982
Mixing on 26 August
Mixing on 13 November (single version,
never released but used for the song to playback on TV)
One take was sufficient for 'Under
Attack, with song fragments that had travelled through 'Rubber Ball
Man' / 'Under My Sun' (in 1979) and last finding their natural home
in the verse of this new composition.( from the book 'The Complete
Recording Sessions ' by Carl Magnus Palm)
Cassandra (working title El Paso):
Backing track on 2, 3 and 4 August 1982
Mixing on 25 August
The Day Before You Came (working title:
Den Lidande Fågeln):
Backing track, vocals and mixing on 20
August 1982
"'The Day Before You Came' was
written in the studio, says Benny. "I Had a fragment of a song,
and since we had no other song to work with at this point, we made it
into a complete composition. The only instruments on the recording
are sythesizers and a drum machine, except for a snare drum played by
Åke Sundqvist (recorded on this day). Then we made overdubs onto
that, but deliberately tried to keep it simple, so that it wouldn't
be over arranged."An exameple of this approach is the almost
inaudible, slightly 'operatic' obbligato vocal ine, invested and sung
by Frida. ( from the book 'The Complete Recording Sessions ' by Carl
Magnus Palm)
Worldwide single releases from this
album:
December 7, 1981: One Of Us - Should I
Laugh Or Cry. Polar POS 1291
1981: One Of Us - Should I Laugh Or Cry. (Polydor, Germany)
1981: One Of Us - Should I Laugh Or Cry. (Vogue, France)
1981: One Of Us - Should I Laugh Or
Cry. Atlantic (U.S.).
1981: One Of Us - Should I Laugh Or Cry. Epic UK)
1981: One Of Us - Should I Laugh Or Cry. Epic UK)
1981: Slipping Through My Fingers (Coca
Cola picture disc) (Japan).
When All Is Said And Done - Should I Laugh Or Cry. Polar, Sweden
When All Is Said And Done - Should I
Laugh Or Cry. Atlantic 3889 (U.S.).
December 12, 1981: Head Over Heels - The Visitors (Polar)
1981: Head Over Heels - The Visitors (Polydor, Germany)
1981: Head Over Heels - The Visitors (Vogue, France)
1981: The Visitors - Head Over Heels.
Atlantic 4031 (U.S.).
1981: The Visitors - The Visitors
(promo) Atlantic (USA)
1981: Head Over Heels (Epic, Netherlands and UK)
1982: Super Trouper / Head Over Heels -
One Of Us - Under Attack (East-Germany).
1982: One Of Us - The Visitors (promo)
(Brazil).
1982: Head Over Heels - Lay All Your Love On Me (promo) (Japan)
1982: Head Over Heels – No Hay A
Quien Culpar (When All Is Said And Done) RCA, Mexico
Promotion clips:
Augustus 29, 1981: When All Is Said And
Done